The flagship 1D X has served as donor for much of the tech in the EOS R5. The Canon EOS R5's Animal AF is truly remarkable – and even works on birds in flight (Image credit: James Artaius / Digital Camera World) (Our lab results for the 1D X Mark III didn’t quite bear this out, and we’re currently testing the R5 to see if it comes true this time). Canon’s new tech features quad-layer, 16-point subsampling and combines it with a Gaussian distribution technique to deliver sharpness rivaling the 5DS / R. Traditional low-pass filters (employed to get rid of moiré) employ dual-layer, four-point subsampling and introduce a layer of softness to images. This is thanks to the new low-pass filter design, which was introduced in the flagship Canon EOS-1D X Mark III. Since the 8K DCI video has a resolution of 8,192 x 4,320, the camera has a Frame Grab function that enables you to take high-resolution 35.4MP stills (as JPEGs) from your footage – which is 5.1MP greater resolution than the Canon EOS R.Īll of this is thanks to the brand new 45MP image sensor, which Canon claims makes the R5 “the highest resolution EOS camera ever” – supposedly resolving even greater detail than the 50.6MP Canon EOS 5DS / R. However, the R5 is much more than just a video behemoth. Its 4K capture is every bit as ferocious, recording at up to 119.88fps (in the same 4:2:2 Canon Log or HDR PQ, in UHD or DCI) with external HDMI recording up at up to 59.94fps. The R5 can capture full-width (uncropped) raw 8K video using the entire readout of the 35mm sensor – and it does so internally at up to 29.97fps in 4:2:2 12-bit Canon Log or HDR PQ (both H.265) in both UHD and DCI. Obviously the headline attraction here is the remarkable video capability. Such are the lofty specs of the Canon EOS R5 that virtually every feature is a key feature. (Image credit: James Artaius / Digital Camera World) Key features
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